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WHEN FILM MEETS THEATRE, IT STARTS SEEING RED WHERE THERE’S PINK.

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I SEE RED. USES THE TOOLS OF CINEMA TO BRING YOU A SHOW WORTHY OF CONFUSION.

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A FICTIONAL (YET DEEPLY BIOGRAPHICAL) FILM PLAYS AS THE AUDIENCE, UNSUSPECTINGLY, ALLOWS THEIR GAZE TO BE HANDLED BY THE PERFORMER AND DIRECTOR OF BOTH PIECES (THE CINEMATIC AND THE THEATRICAL).

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BEWARE HOWEVER. THIS SHOW DOES NOT SEEK TO WARM HEARTS. IT HIDES HORRORS. IT ROTS. PLEASANTLY SO. PLEASANTLY IT ROTS, PLEASANTLY IN PINK.

CAROLINA DOMINGUEZ' SCREEN TEST FOR  “I SEE RED. (2023)

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DIRECTED BY SILVESTRE CORREIA
SCREENPLAY BY GEORGE MURPHY
SOUNDTRACK BY JOSE VALENTE
WITH  SILVESTRE CORREIA, GEORGE MURPHY, ANABELA RIBEIRO, BARBARA BRUNO AND CAROLINA DOMINGUEZ AS WENDY


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SILVESTRE CORREIA

Silvestre is a performer, video editor and theatre director whose work is born from a flow of thoughts that are united into something that goes beyond definition.

His professional path began as an actor in 2014 and, since then, has grown into something else. Besides having played various roles in Portuguese Theatres, Silvestre is also the author of his own work, which he calls “Theatrical Acts”. These “Theatrical Acts” can fall into various categories, those being visual arts or theatre related. 

With I SEE RED., Silvestre Correia hopes to extend his abilities as he finds another way to expose his imaginary, an imaginary Silvestre describes as “disturbing, yet playful”. 

 

 


GEORGE MURPHY

George Murphy is twenty-five years old. He is six feet four. He bleaches his hair peroxide blonde and smokes forty cigarettes a day.

In 2019, he received his Bachelor of Arts in Creative Writing and, in 2020, his Master of Arts (also in Creative Writing) from Sheffield Hallam University. 

George writes the macabre and grotesque and I SEE RED. Will be no exception. 

He has a pet fox named Phyllis who is long since dead, and he does not like Thursdays.

 

 


JOSE VALENTE

“Considered one of the most innovative violists of his generation, José Valente continues to develop an intense musical activity defined by the irreverence, contemporaneity and virtuosity of his playing and composing. Since his return from New York, the awarded violist has been exploring the limits of his instrument through the symbiosis of diverse musical styles, rarely associated with the traditional repertoire for viola, establishing consequently a unique musical voice.” 

ANABELA RIBEIRO

Portuguese Actress with a degree in acting for Theatre from Escola Superior de Teatro e Cinema (Lisbon) and in Artistic Studies from Coimbra’s university. She began her theatrical path in CITAC (Coimbra) and, in her career, Anabela has received direct guidance from Tiago Vieira, Luís Miguel Cintra, Luca Aprea, Jean Paul Bucchieri, Francisco Salgado, Vânia Rovisco, Peter Michael Dietz, Andrés Bezares, Mafalda Saloio, Pedro Fabião, Rodrigo Santos, Wojtek Ziemilsky and, professionally, has worked with the directors Tiago Vieira, Isac Graça, Pedro Baptista, Mário Coelho, Teresa Gafeiro and Silvestre Correia.

 


BARBARA BRUNO

Bárbara Bruno is a Portuguese actress who studied acting at Balleteatro (Porto) and holds a Theatre degree from Escola Superior de Teatro e Cinema (Lisbon).In the past, she has worked with Ricardo Neves-Neves, Daniel Gorjão, André Teodósio, Sara Ribeiro, Tiago Vieira, Jorge Andrade, Marco A. Lima. and Silvestre Correia.

 

 


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CAROLINA DOMINGUEZ

Portuguese actress born in the year 1992 with a degree in acting for Theatre from Escola Superior de Teatro e Cinema (Lisbon). She has worked with many, having been directed by Teresa Gafeira, João Brites, Miguel Fragata, Inês Barahona, Luís Miguel Cintra, Ricardo Neves Neves, António Simão, Francisco Salgado, Francisco Nicholson, Triccia Hitchcock and Silvestre Correia in Theatre and, in Cinema, by Michael Sturminger.

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